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Alternate Ending

by Matt Cummins

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1.
Golden 04:04
My pops used to load us kids up In the car, do the late-night freeway flying Salem cigs burning the night sky tumbling their red flicker at the rearview mirror Those times were golden Stationed in Huachucha mom put her foot down Said we're living off base in the O.C. with her family Pops drove every weekend from AZ to SoCal To see us as he wrapped up work Crazy-long stretches of highway thru the desert Where there were literally no one or nothing for hours Those times were golden Yesterday was the anniversary of Pop's passing I talked to mom about an hour ago 10:30pm her time, 1:30am our time I tried to find a way to pay homage to him in a good way These times are golden
2.
Mis en bouteille au chateau Where does time start and where does it go? Speckled in dust and missing a label You will be served at my table Chateau Malediction We're missing from places and we don't even know that we're damaged freight my friend We're missing people in somebody's life All tangled up in heart strings Crack the cork it's a beautiful sound We'll sing one for the missing, sing one for the found Sing one for the night, sing one for the dawn Sing one for the here, sing one for the gone Sing one for the now, sing one for the then Sing one for the women, sing one for the men Sing one for a stranger, sing one for a friend Sing one in case we never get to sing one again
3.
I will come in last In the sleeping championship But do not laugh One day you might suffer this I will come in first In the overthinking games You think you have it worse? Surely we can talk about it I may be a fool, but I'm your fool And I can love you better than anyone else can I won't even place In the Civil War beard contest You think I'm saving face But it feels good to get off my chest
4.
Where do I start, how to begin? A roll of packing tape I can't find the end I was me for a time Being me in my mind I was tea for child Uncomplicated and mild The more I know the less I can I'm not changing my mind Now I'm walking doom Window seat on the gloom The tide changes so soon Knocks everything out of tune The more I know the less I can I'm not changing my mind
5.
Pink cherry blossoms snowing in the spring Dawn in Pennsylvania, storms in Mississippi The breeze is breathing careful Full of missing souls Drinking in their wisdom, ceding all control When you're leaving I'll leave on a light When you're leaving Gimme a kiss goodbye 'Cause if it's the last time I shudder at the thought The price at which all love is bought The price at which our love is bought I know what you're thinking Love should be free I don't believe in free love But it need not cost a thing Tell you I'll be careful Tell you I'll be kind I don't believe in free love Though all great love is blind. When you're leaving I'll leave on a light When you're leaving Gimme a kiss goodbye 'Cause if it's the last time I shudder at the thought The price at which all love is bought The price at which our love is bought
6.
Drifting cloud, she's a breeze, she's catholic guilt Mischief lying in wait 'til the castle's built She's the wind on the waves When the moon is full She's the champagne up my sleeve Feeling gravity pull us together She's my kind of weather She's salt, she's fire, an electrical storm She's bearing down on me, small crafts be warned She's the AED when the shock hits full She's my reason to breathe Feeling tragedy pull us together She's my kind of weather A strong melody can only help for so much I thought I'd figured it out Without harmony, accompaniment and such What's all this singing about? She's the cabernet, bold and full She's a storm out at sea Electricity pulls us together She's my kind of weather
7.
Thirsty for a summer breeze Orchestrated by moonlight What a better way to ease adrift Beside a sunkissed sea darkening Silhouttes crowd the porch tonight I want to be where you when you are I want to do where you go when you go where you go Ramble past staggering azalea Bees fly drunk in candlelight While the moon drinks the sea At the swooning jewel of Howard St. I want to be where you when you are I want to do where you go when you go where you go If this porch could talk it'd probably sing With the rocking chairs in harmony I want to be where you when you are I want to do where you go when you go where you go
8.
Hold your horses Find your tribe Try different people All shapes and size Keep your head up and your powder dry You're gonna get a shot Ready or not People will not believe If they can't hear what you heard They'll need you to take the lead Turn feelings into words and sing from memory and heart Hold your horses Find your tribe Try different people WIth your same eyes Keep your head up and your powder dry You're gonna get a shot Ready or not And if time takes It's sweet old time Mix new kinds of colors Find new ways to rhyme and sing the melody in your heart
9.
It was a long, hot day And we're at sunset bay And the clouds are cotton candy pink As the sun sinks low Near the big Atlantic O... Don't let the breeze carry us away We should stay for the summer It's time we got away We should stay for the summer Always I know that the car is all packed And I know you just want to get back But you know traffic is all backed up On any road you need I see you're not moving fast We can make a good thing last Think about all the fun we've had Why'd you ever want to leave? We should stay for the summer It's time we got away We should stay for the summer Always It was a long, hot day And we're here to stay The boardwalk's only Two blocks away...

about

This is my debut solo album. I, Matt Cummins, am the director of my lifelong musical saga. This collection symbolizes the rebirth of an idea: that sound can heal and songs can last beyond the cultural dictates of youth.

The director films several ways to end his opus, only to find the best one to be a new beginning.

credits

released June 17, 2023

Artwork by Siobhan Bedford

Acoustic Guitar, Banjo, Bass, Drums, Electric Guitar, Loops, Wooden Piano, Rhodes Piano, Stylophone, Ukulele, and Voice by Matt Cummins
Produced by Cliff Hillis with Matt Cummins
Engineered, Mixed, and Mastered by Cliff Hillis at The Hacienda

Additional Performances by Cliff Hillis and:
(Track 1) J. Tom Hnatow: Pedal Steel, Slide Guitar, Magic
(Track 2) Valerie Vuolo: Violin, Magic
(Track 3) David Durst: Piano, Elizabeth Grimshaw: Violin
(Track 5) Elizabeth Grimshaw: Violin
(Track 7) Anne DeMutis Cummins: Vocals, Cole Cummins: Violin, Zander Cummins: Cello, David Durst: Accordion, Matt O'Donnell: Drums
(Track 8, Battle of Entitlement Portion) Mystery Disney Woman: Spoken Word
(Track 9) Cole Cummins, Zander Cummins, Ava DeMutis, Hope DeMutis, Paige DeMutis, Bobby Strunk, Lizzy Strunk, Max Strunk: Vocals, Cole Cummins: Piano, Zander Cummins: Melodica, Beth Lennon: Tambourine, Jens Lekman: Orchestration (sample used without permission)
All songs written by Matt Cummins (published by ORGANIZEDSOUND music)
except for track 1, by Matt Cummins and Joanne Hope Skiles Couch and track 9, written by Matt Cummins, Hope DeMutis, and Paige DeMutis

This album is dedicated to Cole and Zander

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about

Matt Cummins Phoenixville, Pennsylvania

Voice and guitar for The Matts, Disheverly Brother for life, Zephyr PHX instigator,
Singer-Songwriter Cape May selectee, International Pop Overthrow performer, multi-instrumentalist, dreamer, veteran of the indie rock wars (19X2-20X9), bruxist, laconic yet excitable ... more

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